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Concertgebouw Orchestra on tour

“But how was the performance (of Bruckner Symphony No. 8) in the Great Hall of the Elbphilharmonie with the Concertgebouw Orchestra? To spoil it: an absolute triumph with standing ovations and cheering at the first bow. Under Mäkelä, the Dutch top orchestra proved that it still belongs to the world's top, that Bruckner is still known like the back of his own hand, and that they had {…}
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Orchestre de Paris

"In just under 80 exhilarating minutes, Klaus Mäkelä led Beethoven’s Missa solemnis at the Philharmonie with the Orchestre de Paris and Chœur de l’Orchestre de Paris, revealing once again why the work remains the most formidable of choral–orchestral undertakings: spiritually uncompromising, structurally unwieldy, and stubbornly resistant to anything resembling {…}
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Oslo Philharmonic on tour

“Not every clas­sical listener will be delighted with Shos­takovich's eighth ... All the more impress­ive how the musi­cians built up the ten­sion under Mäkelä – and kept it! The Great Hall, per­fect for this music, seemed to shine over the massive Tut­tis in the hellishly glor­i­ous apo­ca­lypse of the third move­ment."Die Presse, 24 January 2026, Jens F. {…}
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Chicago Symphony Orchestra

"Christmas came early for Chicago Symphony audiences on December 18. I refer not to the orchestra’s holiday music concerts ... but to what was the first of three regular subscription performances of stunning virtuosity and uncommonly thought-provoking programming … The CSO sounds remarkably transparent under Mäkelä’s baton. We feel like we can hear every single instrument that {…}
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Orchestre de Paris

Just three years after the creation of his last opera, Il viaggio, Dante, Pascal Dusapin delivers a new lyrical score, an operatorio on an ancient subject, Antigone. The cast is flawless, and this, combined with Klaus Mäkelä's passionate and meticulous conducting, ensures a truly memorable performance." Forum Opera, Guillaume Picard, 9 October 2025 "Pascal Dusapin revisits the {…}
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Chicago Symphony Orchestra

"There were no short openers, no quick musical palate cleansers. Instead, the CSO presented a heavyweight program - the kind in which Mäkelä was laying down a marker and really beginning to establish a place in the long history of notable conductors who have led the orchestra. Glimmers of what the Mäkelä version of this orchestra might be like could be seen during this program {…}
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