By Laurence Vittes | From the September-October issue of Strings Magazine
Those players who seriously approach the cello often dream of playing their small core repertoire of concertos by Haydn, Schumann, and Dvořák, supplemented by Tchaikovsky’s Rococo Variations, Beethoven’s Triple Concerto, and Brahms’s Double. Like many young cellists with energy and enthusiasm to {…}
Still in his twenties, the Oslo Philharmonic’s Chief Conductor Klaus Mäkelä is remarkably clear-sighted about what he wants to achieve and how – even after lockdown required a different approach to recording his debut album of the Sibelius symphonies, writes Andrew Mellor.
Sweet are the uses of adversity. Klaus Mäkelä’s inaugural season as Chief Conductor of the Oslo {…}
Platea Magazine: “Dirigir es una cuestión de comunicación”
De vitalidad desbordante y contagiosa, la batuta de Klaus Mäkelä es una de las más firmes realidades del presente y futuro de la dirección orquestal. No hay músico que no hable maravillas de su forma de dirigir, transmitir y, sobre todo, escuchar. Quizá esa haya sido la fórmula que le haya llevado a ser titular de la Filarmónica de Oslo y de la Orquesta de París, mientras {…}
Quelques jours après un concert d’anthologie enregistré pour Philharmonie Live auquel Transfuge a eu la chance d’assister, rencontre avec le jeune chef Klaus Mäkelä, qui s’apprête à devenir le nouveau directeur musical de l’Orchestre de Paris.
Dominique Lindemann, 26 April 2021
Tout semble calme et serein autour de Klaus Mäkelä, alors que, deux jours {…}
Oiling the machine: Klaus Mäkelä on taking up conductor posts in Oslo and Paris
Bachtrack
When it was announced in June that the next Music Director of the Orchestre de Paris was to be Klaus Mäkelä, eyebrows were raised. Not only because of his youth – he’s just 24 – but also that the Finnish conductor had yet to take up his new appointment at the helm of the Oslo Philharmonic. A case of too much too soon? Yet watch him conduct or {…}